Edward Tulane, a cold-hearted and proud toy rabbit, loves only himself until he is separated from the little girl who adores him and travels across the country, acquiring new owners and listening to their hopes, dreams, and histories.
A New York Times bestseller!
A classic tale by Newbery Medalist Kate DiCamillo, America’s beloved storyteller.Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who adored him completely. And then, one day, he was lost. . . . Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the bedside of an ailing child to the bustling streets of Memphis. Along the way, we are shown a miracle — that even a heart of the most breakable kind can learn to love, to lose, and to love again.
Featuring black-and-white illustrations and a refreshed cover by Bagram Ibatoulline.
Details
ISBN13: 9780763680909
Format: Paperback / softback
Number of Pages: 240
Edition:
Publication Date:
Publisher: Candlewick Press,U.S.
Publication City, Country: Massachusetts, United States
Dimensions (cm): 19.4(H)x13(L)x1.5(W)187
Weight (gm): 187
Author Biography
Kate DiCamillo is the beloved author of many books for young readers, including the Orris and Timble, Mercy Watson, and Tales from Mercy Watson’s Deckawoo Drive series. Her books
Flora & Ulysses and
The Tale of Despereaux both received Newbery Medals. A former National Ambassador for Young People’s Literature, she lives in Minneapolis.
Bagram Ibatoulline has illustrated many acclaimed books for children, including
The Matchbox Diary by Paul Fleischman;
On the Blue Comet by Rosemary Wells;
The Miraculous Journey of Edward Tulane and
Great Joy, both by Kate DiCamillo; and
The Serpent Came to Gloucester by M. T. Anderson. Bagram Ibatoulline lives in Chichester, New York.
Reviews
Just because it’s intended for a younger audience doesn’t mean there isn’t something worthwhile in there for us all.
—Sarah Jessica Parker
One reading is hardly enough to savor the rich philosophical nuances of DiCamillo’s story. I think I will go read it again right now.
—The New York Times Book Review
This
achingly beautiful story shows a true master of writing at her very best.
—School Library Journal (starred review)
The story soars because of DiCamillo's lyrical use of language and her understanding of universal yearnings. This will be
a pleasure to read aloud.
—Booklist (starred review)
Once again, DiCamillo harkens back to an older storytelling style,
filled with magic and the transformational power of love. . . . The reader will be transformed, too.
—Kirkus Reviews (starred review)
There will be inevitable comparison of Edward Tulane to
The Velveteen Rabbit, and Margery Williams's classic story can still charm after 83 years. But as delightful as it is, it can't match the
exquisite language, inventive plot twists, and memorable characters of DiCamillo's tale.
—Publishers Weekly, boxed signature review
The delicate sepia images that head each chapter and the full-color illustrations augment the
emotional tenor of the book.
—The Bulletin of the Center for Children's Books
DiCamillo writes tenderly and lyrically but with restraint, keeping a tight focus on Edward’s experience and gradual awakening.
—The Horn Book
Bagram Ibatoulline's
exquisite illustrations cast a warm light across this . . . tale by one of today's most admired writers for children.
—Wall Street Journal
DiCamillo has carved out a distinct place as one of her generation's most beloved writers.
—Chicago Tribune
When Edward's journey ends,
the reader will be wishing this story could go on and on.
—Washington Post Book World
In the tradition of poignant, beloved children's classics like Don Freeman's
Corduroy and Anna Sewell's
Black Beauty comes best-selling, Newbery Medal-winning author Kate DiCamillo's
utterly charming creation
The Miraculous Journey of Edward Tulane. . . . With traditional illustrations and text that begs to be read aloud,
The Miraculous Journey of Edward Tulane will quickly take a place of honor on every child's bookshelf, undoubtedly and deservedly.
—Time Out New York Kids
DiCamillo . . . is a natural children's-book writer.
—Boston Herald
This choice is
destined to become a classic.
—Dallas Morning News
DiCamillo’s book is as much
a literary miracle as Edward’s transformation.
—Raleigh News and Observer
DiCamillo’s newest offering is full of lovely, stately language, a riveting plot and a message that is
heartwarming without being preachy. Fans of
Because of Winn-Dixie and
The Tale of Despereaux will not be disappointed. . . .This tale has 'destined to be classic' written all over it, and it lives up to its great promise.
—Book Page
A
rare and beautiful book that remains in the soul.
—San Diego Union-Tribune
Elegantly designed, with delicate, full-color plate paintings by Bagram Ibatoulline, it has the look of a classic.
—Miami Herald
Lovingly told, DiCamillo's affection for her characters shines through and overtakes you and by the book's end, readers will care deeply.
—Honolulu Advertiser
A new classic has been forged.
—Pittsburgh Post Gazette
The
powerful storytelling of bestselling author DiCamillo paired with Ibatoulline’s luminous paintings, will leave no reader — child or adult — unmoved.
—Child
Beautifully designed, with plenty of
old fashioned illustrations.
—Seattle Times
A
riveting tale, by turns sad and joyous.
—Scripps-Howard News Service, Best Children’s Books roundup
The miracle of Edward Tulane’s journey is the miracle of learning to love.
—ForeWord Magazine
Exemplifies the art of bookmaking as well as excellence in storytelling and illustration.
—Reading Today
A
remarkable, eloquent and genuinely moving story. . . . Hang onto this title as one to remember for graduation gifts.
—Denver Post
Ibatoulline outdoes himself — Yet even standing alone, the story soars because of DiCamillo’s lyrical use of language and universal yearnings.
—Book Links
The sad yet hopeful story of a selfish china rabbit that learns to love is
beautifully written, and the sepia-toned gouache illustrations make this book
one to treasure for many years.
—Kansas City Star