The New York Times bestseller from the author of Chasing the Scream, offering a radical new way of thinking about depression and anxiety.

The classic Danish trilogy hailed as a masterpiece on publication in English last year - now in a single volume in Penguin Modern Classics Growing up in a working-class neighbourhood in Copenhagen, Tove feels that her childhood is made for a completely different girl. As 'long, mysterious words begin to crawl across my soul', she comes to understand that she has a vocation that will define her life. Her path seems assured, but she has no idea of the struggles ahead - love affairs, wanted and unwanted pregnancies, artistic failure and destructive addiction. As the years go by, the central tension of Tove's life comes into painful focus- the terrible lure of dependency, in all its forms, and the possibility of living freely and fearlessly - as an artist on her own terms.

Details

ISBN13: 9780241457573
Format: Paperback / softback
Number of Pages: 384
Edition:
Publication Date: 26 Jan 2021
Publisher: Penguin Books Ltd
Publication City, Country: London, United Kingdom
Dimensions (cm): 198(H)x129(L)x21(W)284
Weight (gm): 284

Author Biography

Tove Ditlevsen (Author) Tove Ditlevsen was born in 1917 in a working-class neighbourhood in Copenhagen. Her first volume of poetry was published when she was in her early twenties, and was followed by many more books, including the novels The Faces and Vilhelm's Room and her autobiographical masterpiece, Childhood (1967), Youth (1967) and Dependency (1971). She married four times and died by suicide in 1976. Tiina Nunnally (Translator) Tiina Nunnally is an award-winning translator (from Danish, Norwegian and Swedish) and novelist. She was awarded the prestigious PEN Translation Prize in 2001 for her translation of the third volume of Sigrid Undset's Kristin Lavransdatter, and her translations of Hans Christian Andersen and Tove Ditlevsen for Penguin Classics have been widely praised.

Reviews

To get it out of the way: these are the best books I have read this year ... Childhood has the simple declarative sentences of Natalia Ginzburg and the pervasive horror of a good fairy story -- John Self * New Statesman *
Mordant, vibrantly confessional... A masterpiece * Guardian *
Semi-miraculous, raw and poignant ... Radiates the clear light of truth and stands as the ultimate victory of a life that must have felt, in the living of it, like a defeat -- Alex Preston * Observer *
Intense, elegant ... Ditlevsen's portrait of Vesterbro in the Twenties has something of the same texture of Elena Ferrante's description of the poor Neapolitan neighbourhood in which her heroines grow up -- Lucy Scholes * The Daily Telegraph *
Wrenching sadness and pitch-black comedy ... Sharp, tough and tender -- Boyd Tonkin * Spectator *
A particular kind of masterpiece, one that helps fill a particular kind of void. Ditlevsen's voice, diffident and funny, dead-on about her own mistakes, is a welcome addition to that canon of women who showed us their secret faces so that we might wear our own. * New York Times *
Intense and elegant ... an absolute tour de force -- Lucy Scholes * Paris Review *
A stunning portrait of addiction and ambition . . . unnervingly brilliant. I felt an almost physical pull to reimmerse myself in the freezing cold water of the trilogy, which understands the trauma of childhood and its reverberations like nothing else I have ever read * Vox *
Ditlevsen's taut, simple prose shines a light on what life and love were like for working-class women in 20th century Copenhagen. Elena Ferrante fans, take note * Stylist *
Despite the darkness that haunts these three books, they shine with Ditlevsen's honesty and humanity ... Her work, seemingly so simple, has the miraculous quality of a life perceived in perfect clarity. Despite the author's untimely death, The Copenhagen Trilogy is a powerful - and uplifting - testament of survival -- Erica Wagner