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With offices in Oslo, Innsbruck, San Francisco, and New York, and projects all over the world, Snohetta's architecture, landscape, interior, and branding design projects are created across political boundaries, at all scales, and are fundamentally concerned with the unique interactions between people and places. Through stunning imagery and evocative narrative text, this book showcases 24 exceptional projects - including the National September 11 Memorial Museum Pavilion and the Norwegian National Opera and Ballet - which, together, illustrate Snohetta's boundary-pushing and highly collaborative approach to design.

 

Details

ISBN: 9780714877174
Audience: General
Format: Hardback
Number of Pages: 256
Publication Date: 22 Mar 2019
Publisher: Phaidon Press Ltd
Publication City, Country: London, United Kingdom
Dimensions (cm): 27(H) x 20.5(L) x 2.9(W)

 

Reviews

"It's about time the award-winning Norwegian architecture practice Snohetta was celebrated in hardback."-Elle Decoration

"An insightful look into Snohetta's process and a celebration of how architecture and design informs experiences, whether it's a trip to the opera or pulling a banknote out of your wallet."-Architectural Digest Online

"Snohetta's first monograph in over a decade... The book offers the studio's understanding of their own work and how it has taken on a life of its own."-Designboom

"This book is a rich tome that explores the internationally acclaimed practice's work, by showcasing its extensive and wide-ranging portfolio."-Wallpaper* magazine

"An insight into the award-winning practice's way of designing."-The Essential Journal

 

Author Biography

Twenty-eight curators, critics, art historians, and artists contributed their expertise to create this art-lover's ideal museum. They come from such institutions as: The Metropolitan Museum of Art, New York; the British Museum, London; the Museum of Fine Arts, Boston; the J. Paul Getty Museum, Malibu; the University of California, Berkeley; La Trobe University, Melbourne; the School of African and Oriental Studies, University of London; and The Courtauld Institute of Art, London.

Snohetta: Collective Intuition
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