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Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement's approach flourished internationally and is today hailed as one of the most influential shifts in art history.

With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as "man lowered to the position of a gramophone record of the outer world", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.

Covering the group's stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.

About the series

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Genre series features:

approximately 100 color illustrations with explanatory captions

a detailed, illustrated introduction

a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

 

Details

ISBN: 9783836505284
Audience: General
Format: Hardback
Number of Pages: 96
Publication Date: 15 Sep 2020
Publisher: Taschen GmbH
Publication City, Country: Cologne, Germany
Dimensions (cm): 26(H) x 21(L)
Weight (gm): 556

 

Reviews

"This comprehensive overview incorporates an impressive range of reproductions." * The Independent *

 

Author Biography

Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Dusseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velazquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism.
Expressionism
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