{"product_id":"crudo-9781037414961","title":"Crudo","description":"\u003cp\u003e\u003cb\u003eThe blisteringly funny and remarkably tender debut novel from Olivia Laing, one of the finest non-fiction writers of a generation.\u003c\/b\u003e\u003c\/p\u003eShortlisted for the Goldsmith's Prize, the Gordon Burn Prize and the James Tait Black Award.  Dive in to a tale of love and loathing with the beach read of the summer.   Kathy is a writer. Kathy is getting married. It's the summer of 2017 and the whole world is falling apart.  From a Tuscan hotel for the super-rich to a Brexit-paralysed UK, Kathy spends the first summer of her forties trying to adjust to making a lifelong commitment just as Trump is tweeting the world into nuclear war. But it's not only Kathy who's changing. Political, social and natural landscapes are all in peril. Fascism is on the rise, truth is dead, the planet is hotting up. Is it really worth learning to love when the end of the world is nigh? And how do you make art, let alone a life, when one rogue tweet could end it all.  Olivia Laing radically rewires the novel in a brilliant, funny and emphatically raw account of love in the apocalypse. A Goodbye to Berlin for the 21st century, Crudo charts in real time what it was like to live and love in the horrifying summer of 2017, from the perspective of a commitment-phobic artist who may or may not be Kathy Acker . . .\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9781037414961\u003cbr\u003e\u003cspan\u003eFormat: Paperback \/ softback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 160\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: \u003cbr\u003e\u003cspan\u003ePublisher: Pan Macmillan\u003cbr\u003e\u003cspan\u003ePublication City, Country: London, United Kingdom\u003cbr\u003e\u003cspan\u003eDimensions (cm): 20.2(H)x13(L)x1.1(W)118\u003cbr\u003e\u003cspan\u003eWeight (gm): 118\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eOlivia Laing is a widely acclaimed writer and critic. She writes for the Guardian, New Statesman and Frieze among many other publications. Her first book, To the River, was shortlisted for the Ondaatje Prize and the Dolman Travel Book of the Year. The Trip to Echo Spring was shortlisted for the Costa Biography Award and the Gordon Burn Prize. The Lonely City was shortlisted for the Gordon Burn Prize and the National Book Critics Circle Award for Criticism, and translated into fifteen languages. In 2018 she was awarded a Windham-Campbell Prize. She lives in London.\u003ch4\u003eReviews\u003c\/h4\u003eWritten at a war-mongering time of rising nationalisms, the vitality of Olivia Laing's questioning love letter to life and to art will blow you away -- Deborah Levy, author of \u003ci\u003eHot Milk\u003c\/i\u003e\u003cbr\u003eLaing’s prose shimmers and is selfish then, suddenly, full of love. It’s a high-wire act. This is the novel as a love letter to Acker. She gives her a happier ending than the one she had. She asks us what a novel can do when unreality rules. She asks what it is like to be alive when the old order is dying . . . \u003ci\u003eCrudo\u003c\/i\u003e is a hot, hot book. The fuse is lit. -- Susanne Moore * The Observer *\u003cbr\u003eFinally, I don’t think I’ll ever forget the day I spent reading Olivia Laing’s \u003ci\u003eCrudo\u003c\/i\u003e. I couldn’t put it down, and then it overwhelmed me so much I had to put it down, and then I had to pick it back up again. A beautiful, strange, intelligent novel. -- Sally Rooney, author of \u003ci\u003eConversations With Friends\u003c\/i\u003e\u003cbr\u003eIn \u003ci\u003eCrudo\u003c\/i\u003e her triumph, rather, is rendering on the page the texture of a very contemporary sensibility . . . The novel form famously struggles to represent the intersection in our lives of the personal-parochial and the political-global: here’s a way to try. And the writing is often so fresh and clever and funny. -- Tessa Hadley * The Guardian *\u003cbr\u003eBeautiful and strange, Olivia Laing’s \u003ci\u003eCrudo\u003c\/i\u003e is an urgent, compelling, funny and moving tale for our times. -- Paula Hawkins\u003cbr\u003eA piece of electrifying writing * Daily Mail *\u003cbr\u003eElectric and unputdownable, its 'love in the apocalypse' vibe is deep and light at the same time. * Elle *\u003cbr\u003eLaing’s fiction debut is a fizzy and thrilling tale of a woman who may or may not be experimental novelist Kathy Acker, preparing for marriage in the summer of 2017. Beautifully written with a voice that grabs from the off. * The Independent *\u003cbr\u003eI adored \u003ci\u003eCrudo\u003c\/i\u003e. I believe it is a great novel. Olivia writes so beautifully about life and nature in both city and country, and always finds some aspect to laugh about, one feels today’s world is worth saving. I also adore Kathy, her whacky, sexy, promiscuous heroine. The story is so funny and touching, I can’t wait to read it again. -- Jilly Cooper\u003cbr\u003eI read it in one go, lost all sense of time, floating on the rhythm, stung by the beats, I bet Kathy Acker would have loved it, I did. -- Viv Albertine\u003cbr\u003eReading Olivia Laing’s short, sleek novel \u003ci\u003eCrudo\u003c\/i\u003e is like seeing the (very) recent past through a wall of mirrors. Laing adopts fragments of Kathy Acker’s writings and life to arrive at a narrative style that’s readable, shockingly new, and surprisingly tender. I didn’t want it to stop. -- Chris Kraus, author of\u003ci\u003e I Love Dick\u003c\/i\u003e and \u003ci\u003eAfter Kathy Acker\u003c\/i\u003e\u003cbr\u003eA dazzling, profound and darkly comic inquisition into what it is to be human. To read \u003ci\u003eCrudo\u003c\/i\u003e is to experience magic on every page. Olivia Laing's writing leaves me breathless with awe -- Elizabeth Day, author of \u003ci\u003eThe Party\u003c\/i\u003e\u003cbr\u003eWe hereby acknowledge the irresistible rise of Olivia Laing, a writer incapable of anything other than full-on, nonstop brilliance. \u003ci\u003eCrudo\u003c\/i\u003e, her secular creed for crazy times, only proves her magical moment: to \u003ci\u003ebe there\u003c\/i\u003e in it, and to take us along, too. One long electric dream, spinning with intimate energy and the sharpest saddest funniest humour, it's so utterly in-the-moment that you'll forget you aren't reading about yourself. -- Philip Hoare, author of \u003ci\u003eWilliam Blake and The Sea Monsters of Love\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eCrudo \u003c\/i\u003ehas crept up on me. I have just finished it and I am filling up with tears and I am not sure why. It seemed to be speaking from deep within me and also at me, like a mirror that won't leave me alone, that insists I stare into it day after day, talking to me, to my gaze. What a special piece of work. And the rhythm is perfect. -- Lara Pawson, author of \u003ci\u003eSpent Light\u003c\/i\u003e\u003cbr\u003eLaing is a mesmerising critic and memoirist, a travel writer in that she connects the inner to the outer world. She is simply one of our most exciting writers, who has explored through her work loneliness, alcoholism and art in \u003ci\u003eThe Lonely City\u003c\/i\u003e and \u003ci\u003eThe Trip to Echo Spring\u003c\/i\u003e. Every tangent is a tributary for Laing that leads somewhere unexpected. She wanders both as insider and outsider, queer, curious, unsettled, erudite, wondering what it is to be an artist. * The Observer *\u003cbr\u003eChic, compassionate, crabby, perspicacious, and marvellously playful - \u003ci\u003eCrudo\u003c\/i\u003e is a huge-hearted novel that conveys the weight of the world with the lightest touch - I loved the mercurial energy that flew off its fast-turning pages. -- Claire-Louise Bennett, author of \u003ci\u003ePond\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eCrudo\u003c\/i\u003e feels like a perfect response to the nasty, lovely days that we're living in and the contemporary smorgasbord of identities . . . The presence of Kathy Acker was brilliantly handled - I believed so completely, for the duration of the novel, that she had lived through last summer. I love how Laing throws these lines to the past - it feels unique to her writing. And it's weirdly reassuring. -- Sara Baume, author of \u003ci\u003eSpill Simmer Falter Wither\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eCrudo\u003c\/i\u003e by Olivia Laing is a hot and heavy look at post-Brexit Britain through the eyes of newlywed Kathy as she summers in Italy. It’s Olivia Laing’s fiction debut and is very much a self-assured interrogation of the times we live in. -- Nikesh Shukla * Guardian, Best summer books 2018 *\u003cbr\u003eThe pacing is quick and slick . . . In there with the dexterousness and sagacity of the sentences are warmth and love, humour and kindness . . . Sane and searing -- June Caldwell * Irish Times *\u003cbr\u003eI absolutely love it. It made me feel carefree. I think Olivia Laing captures a sense of intimacy that is rare. Just so thoroughly enjoyable. -- Nell Dunn, author of \u003ci\u003eUp the Junction\u003c\/i\u003e","brand":"Olivia Laing","offers":[{"title":"Default Title","offer_id":50574450262233,"sku":"9781037414961","price":24.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/9530\/8441\/files\/9781037414961.jpg?v=1790775001","url":"https:\/\/www.arielbooks.com.au\/products\/crudo-9781037414961","provider":"Ariel","version":"1.0","type":"link"}