In little more than a century of cinema - Birth of a Nation
was one hundred years old in 2015 - our sense of what a film director is, or should be, has shifted in fascinating ways. A director was once a functionary; then an important but not decisive part of an industrial process; then accepted as the person who was and should be in charge, because he was an artist and a hero. But the world has changed. In a nutshell, the change takes the form of a question: Who directed The Sopranos
? Hardly anyone knows, because we don't tend to read TV credits and the director has returned to a more subservient and anonymous role. Directors now try to be efficient, the deliverers of profitable films, and are often involved as producers, like Steven Spielberg.
David Thomson's brilliant A LIGHT IN THE DARK
personalises each chapter through an individual: Jean Renoir, Howard Hawks, Jean-Luc Godard, Alfred Hitchcock, Luis Bunuel, Orson Welles, Fritz Lang, Jane Campion, Stephen Frears and Quentin Tarantino. Through these characters (and other directors not mentioned here), David Thomson relates an imaginative new history of a medium that has changed the world.
Number of Pages: 256
Publication Date: 20 Aug 2020
Publisher: Orion Publishing Co
Publication City, Country: London, United Kingdom
Dimensions (cm): 23.2(H) x 15(L) x 2.4(W)
Weight (gm): 320
It took over my life for two days. It is a summary of cinema and a requiem. Love and sadness. A prodigious masterwork. - John Boorman, director of DELIVERANCE and HOPE AND GLORY
Born and raised in London, David Thomson taught Film Studies at Dartmouth College. He is a regular contributor to the New York Times
. He is the acclaimed author of one of the greatest books on cinema, The New Biographical Dictionary of Film,
plus Rosebud - The Story of Orson Welles; The Whole Equation - A History of Hollywood;
and Sleeping with Strangers - How the Movies Shaped Desire.
He lives in San Francisco.