The year is 1Q84. This is the real world, there is no doubt about that. But in this world, there are two moons in the sky. In this world, the fates of two people, Tengo and Aomame, are closely intertwined. They are each, in their own way, doing something very dangerous. And in this world, there seems no way to save them both. Something extraordinary is starting.
Number of Pages: 1328
Edition: Combined volume
Publication Date: 2 Aug 2012
Publisher: Vintage Publishing
Publication City, Country: London, United Kingdom
Dimensions (cm): 19.8(H) x 12.9(L) x 5.8(W)
Weight (gm): 894
Murakami's magnum opus * Japan Times *1Q84 has a range and sophistication that surpasses anything else in his oeuvre. It is his most achieved novel; an epic in which form and content are neatly aligned
... So like Murakami himself, I'll borrow from Orwell: 1Q84
is quite simply doubleplusgood * Independent on Sunday *1Q84 reads like a cross between Stieg Larsson and Roberto Bolano
... In its bones, this novel is a thriller * Daily Telegraph *
Eerie, suspenseful and packed full of gorgeous ordinary details and provocative extraordinary events, Murakami takes weighty themes and delivers a compulsive tale that is funny, fresh and intensely surreal. Unmissable.
* Marie Claire *
It is a work of maddening brilliance and gripping originality
, deceptively casual in style, but vibrating with wit, intellect and ambition * The Times *
In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami's unique and addictive fictional universe. Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami's place as one of the world's most acclaimed and well-loved writers.