A brilliant new collection of short stories from the unique mind of the internationally bestselling author of Men Without Women and Killing Commendatore. A mindbending new collection of short stories from the unique, internationally acclaimed author of Norwegian Wood and The Wind-up Bird Chronicle. A GUARDIAN AND SUNDAY TIMES 'BOOKS OF 2021' PICK The eight masterly stories in this new collection are all told in the first person by a classic Murakami narrator. From nostalgic memories of youth, meditations on music and an ardent love of baseball to dreamlike scenarios, an encounter with a talking monkey and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator who may or may not be Murakami himself is present. Is it memoir or fiction? The reader decides. Philosophical and mysterious, the stories in First Person Singular all touch beautifully on love and solitude, childhood and memory. . . all with a signature Murakami twist.
Number of Pages: 256
Publication Date: 6 Apr 2021
Publisher: Vintage Publishing
Dimensions (cm): 22.4(H) x 14.5(L) x 2.7(W)
Weight (gm): 419
ReviewsFirst Person Singular
is a patch of intense variety and colour... Murakami's protagonists tend to be introspective, ordinary men who find themselves confronted by women and unusual situations. It is as much their reactions to events as the events themselves that make his books so brilliant -- Arjun Neil Alim * Evening Standard *
Mind-bending...touches beautifully on love, solitude, childhood memories, dreamlike scenarios, invented jazz albums and meditations on music. In true Murakami tale-telling perfection, it's devourable * Irish Daily Mail *
I never tire of re-entering Murakami's world, finding his Proustian ability to covey the texture of memory exhilarating, and his fatalistic heroes and their deadpan response to the melodramatic and the outre soothing -- Jake Kerridge * Daily Telegraph *
These stories are unmistakably Murakami's for the way they traffic in his signature themes of time and memory, nostalgia and young love... each one [story] has insights that remain with you long after they are done -- Alexander Nurnberh * Sunday Times *
The hallmarks of Haruki Murakami's longer fiction are all here; an enigmatic eeriness which hints at the supernatural in everyday situations, a love of jazz and baseball, and the nourishing nostalgia of pop music * Daily Mail *
In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami's unique and addictive fictional universe. Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami's place as one of the world's most acclaimed and well-loved writers.