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He is the author of \"Robert De Niro: Anatomy of an Actor\" and has appeared in films such as Steven Soderbergh's \"The Girlfriend Experience\" and Ricky D'Angelo's \"The Sky Is Clear and Blue Today.\"\u003ch4\u003eReviews\u003c\/h4\u003e‚ÄúThe genesis, creation and afterlife of 'Scarface'¬†make for a fascinating, surprisingly complex tale, engagingly told‚ĶKenny‚Äôs book comes off as authoritative, the final word on the subject.‚Äù ‚Äì\u003cstrong\u003e\u003cem\u003eWashington Post\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e¬†\u003cbr\u003e‚ÄúComprehensive, energetically written‚Ķ Scarface fans should be sure to read this absolutely necessary book, and so should readers who enjoy a good book about moviemaking, even if they haven‚Äôt seen this particular film.‚Äù ‚Äì\u003cstrong\u003e\u003cem\u003eBooklist \u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e¬†\u003cbr\u003e‚ÄúReaders will be spellbound.‚Äù ‚Äì\u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e¬†\u003cbr\u003e¬†\u003cbr\u003e‚ÄúGlenn Kenny¬†is not merely a tremendously skilled writer, he is, more importantly, an interesting one‚Ķ¬†The wild, weird world of film and filmmaking is where and what he lives and breathes.‚Äù¬†‚Äî\u003cstrong\u003eTodd¬†Hanson,¬†\u003cem\u003eThe Onion\u003c\/em\u003e,\u003cem\u003e¬†Aqua Teen Hunger Force\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e‚ÄúThis meticulous examination of¬†\u003cem\u003eScarface¬†\u003c\/em\u003eis a wildly enjoyable ride‚Ķ Kenny patiently outlines every moviemaking piece and shows how it fits in the bloody, brilliant¬†\u003cem\u003eScarface¬†\u003c\/em\u003epuzzle.‚Äù¬†‚Äî\u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e, starred review\u003c\/strong\u003e\u003cbr\u003e¬†\u003cbr\u003e‚Äú[A] thoughtful study of \u003cem\u003eScarface\u003c\/em\u003e‚Äôs lasting impact on American culture‚Ķ Fans of the film and moviemaking students will discover a new appreciation for the process of bringing Scarface to life (and death).‚Äù\u003cstrong\u003e‚Äî\u003cem\u003eLibrary Journal\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e","brand":"Glenn Kenny","offers":[{"title":"Default Title","offer_id":46590653563097,"sku":"9781335449627","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/9530\/8441\/files\/9781335449627_d17d6a6d-dc9e-4217-b300-3095af33fd57.jpg?v=1746710314"},{"product_id":"heartburn-vmc-40th-anniversary-edition-9780349010359","title":"Heartburn: VMC 40th Anniversary Edition","description":"\u003cp\u003eJames Clavell's most famous and best-loved novel repackaged for a new generation\u003c\/p\u003e\u003cb\u003eA BESTSELLING NOVEL AND MAJOR FILM STARRING MERYL STREEP AND JACK NICHOLSON\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003e'I have bought more copies of this book to give to people, in a frenzy of enthusiasm, than any other . . . \u003ci\u003eHeartburn\u003c\/i\u003e is the perfect, bittersweet, sobbingly funny, all-too-true confessional novel' NIGELLA LAWSON\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003e'A perfect example of Ephron's gift for turning tragedy into comedy' PAULA HAWKINS, \u003ci\u003eTHE GIRL ON THE TRAIN\u003c\/i\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003e'She is wit without cynicism, the ultimate romantic' GAIL COLLINS, \u003ci\u003eNEW YORK TIMES\u003c\/i\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eSeven months into her pregnancy, Rachel discovers that her husband is in love with another woman. The fact that this woman has a 'neck as long as an arm and a nose as long as a thumb' is no consolation. Food sometimes is, though, since Rachel is a cookery writer, and between trying to win Mark back and wishing him dead, she offers us some of her favourite recipes. \u003ci\u003eHeartburn \u003c\/i\u003eis a roller coaster of love, betrayal, loss and most satisfyingly revenge.\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThis is Nora Ephron's (screenwriter of \u003ci\u003eWhen Harry Met Sally\u003c\/i\u003e and \u003ci\u003eSleepless in Seattle\u003c\/i\u003e) roman a clef:  'I always thought during the pain of the marriage that one day it would make a funny book,' she once said - And it is!\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eBooks included in the VMC fortieth anniversary series include: \u003ci\u003eFrost in May\u003c\/i\u003e by Antonia White; \u003ci\u003eThe Collected Stories of Grace Paley\u003c\/i\u003e; \u003ci\u003eFire from Heaven\u003c\/i\u003e by Mary Renault; \u003ci\u003eThe Magic Toyshop\u003c\/i\u003e by Angela Carter; \u003ci\u003eThe Weather in the Streets \u003c\/i\u003eby Rosamond Lehmann; \u003ci\u003eDeep Water\u003c\/i\u003e by Patricia Highsmith; \u003ci\u003eThe Return of the Soldier\u003c\/i\u003e by Rebecca West; \u003ci\u003eTheir Eyes Were Watching God\u003c\/i\u003e by Zora Neale Hurston; \u003ci\u003eHeartburn\u003c\/i\u003e by Nora Ephron; \u003ci\u003eThe Dud Avocado\u003c\/i\u003e by Elaine Dundy; \u003ci\u003eMemento Mori \u003c\/i\u003eby Muriel Spark; \u003ci\u003eA View of the Harbour\u003c\/i\u003e by Elizabeth Taylor; and \u003ci\u003eFaces in the Water\u003c\/i\u003e by Janet Frame\u003c\/b\u003e\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9780349010359\u003cbr\u003e\u003cspan\u003eFormat: Paperback \/ softback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 192\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: 08 May 2018\u003cbr\u003e\u003cspan\u003ePublisher: Little, Brown Book Group\u003cbr\u003e\u003cspan\u003ePublication City, Country: London, United Kingdom\u003cbr\u003e\u003cspan\u003eDimensions (cm): 194(H)x126(L)x16(W)169\u003cbr\u003e\u003cspan\u003eWeight (gm): 169\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eNora Ephron (1941-2012)  was an Academy Award-winning screenwriter and film director of\u003ci\u003e When Harry Met Sally\u003c\/i\u003e,\u003ci\u003e Sleepless in Seattle\u003c\/i\u003e, \u003ci\u003eYou've Got Mail\u003c\/i\u003e and \u003ci\u003eJulie \u0026amp; Julia\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eShe was also a bestselling novelist \u003ci\u003e(Heartburn\u003c\/i\u003e, made into a film starring Jack Nicholson and Meryl Streep) and journalist. 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For years he has touted in interviews his eventual turn to writing books about films. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eNow, with \u003cb\u003e\u003ci\u003eCINEMA SPECULATION\u003c\/i\u003e\u003c\/b\u003e, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eOrganized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. \u003cp\u003e\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003eAt once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9781474624244\u003cbr\u003e\u003cspan\u003eFormat: Paperback \/ softback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 400\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: 09 Apr 2024\u003cbr\u003e\u003cspan\u003ePublisher: Orion Publishing Co\u003cbr\u003e\u003cspan\u003ePublication City, Country: London, United Kingdom\u003cbr\u003e\u003cspan\u003eDimensions (cm): 19.6(H)x12.8(L)x3(W)280\u003cbr\u003e\u003cspan\u003eWeight (gm): 280\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003e\u003cb\u003eQUENTIN TARANTINO\u003c\/b\u003e was born in 1963 in Knoxville, Tennessee. 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Steve Schapiro‚Äö√Ñ√¥s career as a freelance photojournalist started with a story on Arkansas migrant workers that made the cover of the The New York Times Magazine in 1961. Since then, his images have appeared in Life, Look, Time, Newsweek, Rolling Stone, Vanity Fair, and many other publications. In the 1970s, he began a second career as a successful publicity stills and movie poster photographer, working on classic films such as Taxi Driver, The Way We Were, and The Godfather‚Äö√Ñ√Æwhich can be seen in The Godfather Family Album (TASCHEN, 2008). In 2016, he collaborated with Lawrence Schiller on a Barbra Streisand book (TASCHEN) and in 2017, his Civil Rights photographs were combined with the text of James Baldwin in The Fire Next Time (TASCHEN). 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The women in her stories paralleled reality‚Äîthe veil was lifted, the glossy sheen removed. Her protagonists share an unwavering sense of humor about life‚Äôs mishaps, and they never take themselves too seriously‚Äîlike Julie trying to master the art of cooking lobsters in \u003ci\u003eJulie \u0026amp; Julia\u003c\/i\u003e, Sally‚Äôs theatrical fake orgasm in Katz‚Äôs deli in \u003ci\u003eWhen Harry Met Sally\u003c\/i\u003e, or Rachel perfecting a key kime pie only to throw it in her cheating husband‚Äôs face in \u003ci\u003eHeartburn\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e Through her keenly self-aware humor and semi-autobiographical stories, Ephron left behind a groundbreaking legacy as a beloved journalist, essayist, screenwriter, author, producer, director, and feminist who delivered stories of resilience embedded in sharp wit and upper-crust landscapes. 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It explores her life and work by pairing detailed criticism with exclusive interviews with Ephron‚Äôs key collaborators, including Andie MacDowell and Jenn Kaytin Robinson, to add color and nuance to her life and legacy.\u003c\/p\u003e\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9781419763632\u003cbr\u003e\u003cspan\u003eFormat: Hardback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 224\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: 31 Oct 2024\u003cbr\u003e\u003cspan\u003ePublisher: Abrams\u003cbr\u003e\u003cspan\u003ePublication City, Country: New York, United States\u003cbr\u003e\u003cspan\u003eDimensions (cm): 27.6(H)x22.9(L)x2.5(W)650\u003cbr\u003e\u003cspan\u003eWeight (gm): 650\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eIlana Kaplan is a writer and culture editor. She has worked for publications including \u003ci\u003ePEOPLE\u003c\/i\u003e, \u003ci\u003eAlternative Press\u003c\/i\u003e, \u003ci\u003eThe Independent \u003c\/i\u003eand\u003ci\u003e PAPER\u003c\/i\u003e. Her work has been published in the \u003ci\u003eNew York Times\u003c\/i\u003e, \u003ci\u003eNew York\u003c\/i\u003e magazine, the \u003ci\u003eLos Angeles Times\u003c\/i\u003e, \u003ci\u003eRolling Stone\u003c\/i\u003e, \u003ci\u003eNPR\u003c\/i\u003e, \u003ci\u003eGQ\u003c\/i\u003e,\u003ci\u003e Vanity Fair\u003c\/i\u003e, \u003ci\u003eVogue\u003c\/i\u003e, \u003ci\u003ePitchfork\u003c\/i\u003e,\u003ci\u003e Variety\u003c\/i\u003e, and \u003ci\u003eBillboard\u003c\/i\u003e. She lives in Brooklyn, New York.\u003ch4\u003eReviews\u003c\/h4\u003e‚ÄúIlana Kaplan would make Nora Ephron proud with this smart, elegant, and entertaining journey through the filmmaker‚Äôs cinematic universe. I savored every page, and the Ephron fandom will too. I, for one, plan on displaying the book in my cozy living room for #MegRyanFall and the foreseeable future. It makes me want to buy school supplies. And toss on Ryan‚Äôs maroon sweater in \u003ci\u003eWhen Harry Met Sally\u003c\/i\u003e. To reference Frank Navasky: Thank you, Ilana, for writing a book I‚Äôll cherish forever.‚Äù * Erin Carlson, author of I‚Äôll Have What She‚Äôs Having and No Crying in Baseball *\u003cbr\u003e‚ÄúTaking on the legacy of Nora Ephron‚Äîthe woman, the myth, the legend‚Äîis no easy task, but Ilana has managed to do so gracefully by assessing Ephron‚Äôs lasting impact in all of its complicated beauty in this visually-stunning book. To see ourselves through Nora‚Äôs most famous works often reminds us of how human and flawed we actually are. 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And it is equally compelling for any who wonder how they can nurture their own creativity.  When it first appeared in 2006, David Lynch's Catching the Big Fish was celebrated for being \"as close as Lynch will ever come to an interior shot of his famously weird mind\" (Rocky Mountain News) Now for the bestseller's 10th anniversary, Lynch dives deeper into the creative process and the benefits of Transcendental Meditation with the addition of his exclusive q-and-a interviews with Paul McCartney and Ringo Starr.  The musicians open up to Lynch about their artistry, history, and the benefits they have experienced, artistically and personally, from their decades-long practice of Transcendental Meditation - a technique that they and their fellow Beatles helped popularize in the 1960s.  Catching the Big Fish is a revelation for all want to understand Lynch's personal vision. And it is equally compelling for any who wonder how they can nurture their own creativity.\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9780143130147\u003cbr\u003e\u003cspan\u003eFormat: Paperback \/ softback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 208\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: 17 Oct 2016\u003cbr\u003e\u003cspan\u003ePublisher: Penguin Putnam Inc\u003cbr\u003e\u003cspan\u003ePublication City, Country: New York, United States\u003cbr\u003e\u003cspan\u003eDimensions (cm): 17.8(H)x17.9(L)x1.5(W)266\u003cbr\u003e\u003cspan\u003eWeight (gm): 266\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003e\u003cb\u003eDavid Lynch\u003c\/b\u003e advanced to the front ranks of international cinema in 1977 with the release of his first film, the startlingly original \u003ci\u003eEraserhead\u003c\/i\u003e. 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Read it because: This is about as close as Lynch will ever come to an interior shot of his famously weird mind.‚Äù \u003cbr\u003e‚Äî\u003cb\u003eKelly Lemieux, \u003ci\u003eRocky Mountain News\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‚ÄúThe book, an unexpected delight, serves as a sort of skeleton key to the rest: In it he muses on the relationship between Transcendental Meditation and his work with appealingly nondidactic and non‚ÄìNew Age-y clarity, and in so doing opens the door‚Äîa crack, at least‚Äîto the heretofore impenetrable mysteries of his imagination.‚Äù \u003cbr\u003e\u003cb\u003e ‚ÄîKatie Bolick, \u003ci\u003eThe Boston Globe\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‚ÄúThe quirky helmer known for Boy Scout demeanor and twisted tales shares his creative vision in a surprisingly gentle tome informed by the underlying teachings of Transcendental Meditation. But don‚Äôt worry: David Lynch, one-time creator of ‚ÄúThe Angriest Dog in the World‚Äù comic, keeps the proselytizing to a minimum. He addresses topics ranging from working with wood (for it) to director‚Äôs commentaries (against) in deceptively simple, yet ultimately affirming, chapters. There‚Äôs much for fans and aspiring filmmakers to enjoy.‚Äù\u003cbr\u003e\u003cb\u003e‚Äî\u003ci\u003eVariety\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‚ÄúIdeas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you've got to go deeper,\" says David Lynch the idiosyncratic filmmaker whose creations include \u003ci\u003eEraserhead\u003c\/i\u003e\u003cb\u003e, \u003c\/b\u003e\u003ci\u003eBlue Velvet\u003c\/i\u003e, \u003ci\u003eMulholland Drive\u003c\/i\u003e, \u003ci\u003eInland Empire\u003c\/i\u003e, and the cult TV classic, \u003ci\u003eTwin Peaks\u003c\/i\u003e. 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Lynch loves making movies and diving deep, and this testament bears witness to both loves.‚Äù\u003cbr\u003e\u003cb\u003e‚Äî\u003ci\u003eSpirituality \u0026amp; Practice\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‚ÄúIn \u003ci\u003eCatching the Big Fish: Meditation, Consciousness, and Creativity\u003c\/i\u003e, David Lynch puts aside his filmic quest to get inside the viewer‚Äôs head and lets them instead inside his, an invitation almost as rare as a ticket to fiction‚Äôs Wonka Chocolate Factory, and possibly just as out of this world. \u003ci\u003eCatching the Big Fish\u003c\/i\u003e is a blend of thoughts and themes, sometimes random like a stream of consciousness, or ‚Äî the analogy he personally prefers for creativity ‚Äî casting a hook into a bottomless sea. 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Working with 16mm film and digital imaging technology, Rivers captures extraordinary real locations in Japan, Tuvalu, Lanzarote, Arizona, the Mendip Hills, and Somerset as well as fabricated environments. Observational images are interspersed with fantastically costumed characters and uncanny ruins. Through these eerily resonant threads, Rivers forges a compelling blend of document and fiction which presents us with forgotten ideas of the future, stranger-than-fiction images of the present, and elemental visions of the distant future that seem to resemble the deep past. While epic in scope, the narrative that unfolds is shaped around tactile and human detail, suggesting an intimate, sensory account of vast transformations in society and nature.\u003c\/p\u003e\u003cp\u003e¬†This artist‚Äôs book takes the form of a visual novel, interwoven with texts by acclaimed sci-fi author Mark von Schlegell expanding upon the worlds and characters of the images. 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WKW is known for his elliptically plotted pieces that explore‚Äîin lush, cinematic scenes‚Äîthemes of love, longing, isolation and the burden of memory with melancholy, often misfit characters. His style reveals a fascination with mood and texture over a more straightforward narrative approach; his films feature slow motion action scenes, distorted close-ups, and fight sequences shot from several disoriented angles. A sense of place figures prominently in his films; each has an urban backdrop, with myriad cultural influences, that assumes the importance of a character. He is also known for working many of the same actors film after film, such as the beautiful and glamorous Maggie Cheung, who he has helped make famous.\u003cbr\u003e ¬†\u003cbr\u003e In this book Wong Kar Wai and writer John Power explore WKW‚Äôs oeuvre in the context of the location. After an opening critical and personal essay by Powers, the book is structured as 5 nights in 4 places‚Äî4 different areas of Hong Kong, which is where WKW has always lived and worked. The 5 nights will each include a conversation between Powers and WKW. The first night will be about Hong Kong, WKW‚Äôs life, and his first two films, 'As Tears Go By' and 'Days of Being Wild'; the next night will be 'Chunking Express' and 'Fallen Angels'; the next night will be 'Ashes of Time' and \u003ci\u003e'\u003c\/i\u003eThe Grandmaster'; then 'In the Mood for Love' and '2046'; and finally \u003ci\u003e'\u003c\/i\u003eMy Blueberry Nights' and WKW‚Äôs commercial work. Along the way, the texts will explore larger themes on questions of beauty and making films in China.¬†\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9780847846177\u003cbr\u003e\u003cspan\u003eFormat: Hardback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 304\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: 01 Jun 2016\u003cbr\u003e\u003cspan\u003ePublisher: Rizzoli International Publications\u003cbr\u003e\u003cspan\u003ePublication City, Country: New York, United States\u003cbr\u003e\u003cspan\u003eDimensions (cm): 31.5(H)x23.9(L)x3.2(W)2172\u003cbr\u003e\u003cspan\u003eWeight (gm): 2172\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eWong Kar Wai is a renowned Hong Kong Second Wave filmmaker. Wong was the first Chinese director to win the Best Director Award of Cannes Film Festival (for Happy Together in 1997). Wong was the President of the Jury at the 2006 Cannes Film Festival, which makes him the only Chinese person to preside over the jury at the Cannes Film Festival. Wong was listed at number three on the British Film Institute's Sight \u0026amp; Sound Top Ten Directors list of modern times. In 2006, Wong accepted the National Order of the Legion of Honour: Knight (Highest Degree) from the French Government. In 2013, Wong accepted Order of Arts and Letters: Commander (Highest Degree) by the French Minister of Culture. In 2013 he won the Asian Film Award for Best Director for The Grandmaster. Wong owns the independent production company Jet Tone Films.\u003cbr\u003e\u003cbr\u003eJohn Power is a writer and film critic. Powers covers film and politics for \u003ci\u003eVogue\u003c\/i\u003e and Vogue.com and is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic. His work has appeared in numerous publications, including \u003ci\u003eHarper's BAZAAR,\u003c\/i\u003e T\u003ci\u003ehe Nation, Gourmet, The Washington Post, The New York Times\u003c\/i\u003e and \u003ci\u003eL.A. Weekly\u003c\/i\u003e, where he spent twelve years as a critic and columnist. He is a former professor at Georgetown University.\u003ch4\u003eReviews\u003c\/h4\u003eThe highlight of [\u003ci\u003eWKW: The Cinema of Wong Kar Wei\u003c\/i\u003e] for me is the \u003cb\u003esuperbly gorgeous photographs and film stills\u003c\/b\u003e, some 250 in total, all neatly collected in this beautiful hard cover volume. . .¬†the huge collection of film stills and photographs alone is worth the price of the book; \u003cb\u003ethe conversations with WKW give the reader additional insights into the visions of one the most exciting directors working in cinema today. My highest recommendations\u003c\/b\u003e.\"\u003cbr\u003e-\u003ci\u003eHalcyonRealms.com\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"The essential coffee table book for the auteur's fans and aficionados\u003c\/b\u003e. Wong Kar Wai's saturated images set to lush scores have created unforgettable, atmospheric tone poems that are lovingly captured in [\u003ci\u003eWKW: The Cinema of Wong Kar Wai\u003c\/i\u003e].\"\u003cbr\u003e-\u003ci\u003eINDULGE MAGAZINE\u003c\/i\u003e¬†","brand":"Wong Kar Wai","offers":[{"title":"Default Title","offer_id":46836798685401,"sku":"9780847846177","price":140.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/9530\/8441\/files\/9780847846177_8bf44cf5-cbf3-45af-a018-850515c4aeef.jpg?v=1753298923"},{"product_id":"make-your-own-movies-a-beginner-aos-guide-to-filmmaking-with-whatever-equipment-you-have-9788410650015","title":"Make Your Own Movies: A beginner‚Äôs guide to filmmaking with whatever equipment you have","description":"\u003cp\u003e\u003c\/p\u003eA guide to making movies at home with whatever equipment you have, learning the basics of cinematographic and storytelling techniques.  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A comprehensive primer on the craft of filmmaking, the book is ideal for amateur filmmakers, film students, film lovers, hobbyists, and anyone else interested in making movies and bringing their cinematic dreams and visions to life.  AUTHOR: Miguel Parga has been in the film industry for since 1997. Working for ABC Network News, he won an Emmy, a DuPont, and a Peabody Award for excellence in journalism. As a writer in Los Angeles, he worked on over 20 feature-length scripts and has also directed 21 short films, some of which have appeared in festivals throughout the world. Since 2007, he has taught at the New York Film Academy, and was the director at the Harvard University and Mumbai summer programs. His filmmaking book, What They Didn't Teach You in Film School, was published in 2019 by Ilex, translated to Spanish by Hoaki. Miguel is a member of the Directors Guild of America.\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9788410650015\u003cbr\u003e\u003cspan\u003eFormat: Paperback \/ softback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 200\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: \u003cbr\u003e\u003cspan\u003ePublisher: Hoaki\u003cbr\u003e\u003cspan\u003ePublication City, Country: Barcelona, Spain\u003cbr\u003e\u003cspan\u003eDimensions (cm): 23(H)x16.8(L)\u003cbr\u003e\u003cspan\u003eWeight (gm): \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eMiguel Parga has been in the film industry since 1997. Working for ABC Network News, he won an Emmy, a DuPont, and a Peabody Award for excellence in journalism. As a writer in Los Angeles, he worked on over 20 feature-length scripts and has also directed 21 short films, some of which have appeared in festivals throughout the world. Since 2007, he has taught at the New York Film Academy, and was the director at the Harvard University and Mumbai summer programs. His filmmaking book, What They Didn't Teach You in Film School, was published in 2019 by Ilex, and translated to Spanish by Hoaki Books. Miguel is a member of the Directors Guild of America.\u003ch4\u003eReviews\u003c\/h4\u003e","brand":"Miguel Parga","offers":[{"title":"Default Title","offer_id":47258808123609,"sku":"9788410650015","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/9530\/8441\/files\/9788410650015.jpg?v=1756397952"},{"product_id":"suddenly-something-clicked-the-languages-of-film-editing-and-sound-design-9780571328857","title":"Suddenly Something Clicked: The Languages of Film Editing and Sound Design","description":"\u003cp\u003eThe triple-Oscar winner of the \u003ci\u003eGodfather\u003c\/i\u003e films, \u003ci\u003eApocalypse Now\u003c\/i\u003e and \u003ci\u003eThe English Patient\u003c\/i\u003e presents a masterclass on movies and how they are made.\u003c\/p\u003eHighly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to - and on what makes great films great.\u003cbr\u003e\u003cbr\u003eTogether with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. 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Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations.\u003cbr\u003e\u003cbr\u003eIn this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on \u003ci\u003eThe Godfather\u003c\/i\u003e films, \u003ci\u003eApocalypse Now\u003c\/i\u003e, Lucas' \u003ci\u003eAmerican Grafitti\u003c\/i\u003e, and Anthony Minghella's \u003ci\u003eThe English Patient\u003c\/i\u003e and \u003ci\u003eThe Talented Mr Ripley\u003c\/i\u003e.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSuddenly Something Clicked \u003c\/i\u003eis a book that will change the way you watch movies.\u003cbr\u003e\u003cbr\u003e\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9780571328857\u003cbr\u003e\u003cspan\u003eFormat: Hardback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 368\u003cbr\u003e\u003cspan\u003eEdition: Main\u003cbr\u003e\u003cspan\u003ePublication Date: 09 Sep 2025\u003cbr\u003e\u003cspan\u003ePublisher: Faber \u0026amp; Faber\u003cbr\u003e\u003cspan\u003ePublication City, Country: London, United Kingdom\u003cbr\u003e\u003cspan\u003eDimensions (cm): 24.6(H)x18.9(L)\u003cbr\u003e\u003cspan\u003eWeight (gm): \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eWalter Murch is best known as the Sound Designer and Picture Editor of \u003ci\u003eThe Godfather\u003c\/i\u003e films, \u003ci\u003eApocalypse Now\u003c\/i\u003e, \u003ci\u003eJulia\u003c\/i\u003e and \u003ci\u003eThe English Patient\u003c\/i\u003e. 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Mulan and Beauty and the Beast to name a   few, Hans's work is a part of the very cultural fabric of our age. In this   new and expanded edition of the Sketchbook, the basic principles of visual   storytelling take centre-stage. Four new chapters contributed by Professor   Hannes Rall add insight and explanation of Bacher's design philosophy and how   it can be applied across all media. The new chapters explore the elements and   principles of design in greater depth, showcasing through examples, how these   seemingly abstract concepts relate to the communication of the key concepts   of harmony, contrast, balance and rhythm explained in language that is easy   to understand. This unique book provides students and professionals with   fundamental of visual storytelling and explains how they can be applied in   the field of illustration, graphic novels, 2D\/3D animation, photography and   cinematography.\u003ch4\u003eDetails\u003c\/h4\u003e\u003cp\u003eISBN13: 9789819423569\u003cbr\u003e\u003cspan\u003eFormat: Paperback \/ softback\u003cbr\u003e\u003cspan\u003eNumber of Pages: 152\u003cbr\u003e\u003cspan\u003eEdition: \u003cbr\u003e\u003cspan\u003ePublication Date: 30 Dec 2025\u003cbr\u003e\u003cspan\u003ePublisher: BIS Publishers B.V.\u003cbr\u003e\u003cspan\u003ePublication City, Country: Netherlands\u003cbr\u003e\u003cspan\u003eDimensions (cm): 28(H)x21.2(L)x1.4(W)780\u003cbr\u003e\u003cspan\u003eWeight (gm): 780\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch4\u003eAuthor Biography\u003c\/h4\u003eInto his 50th year in the industry, production designer \u003cb\u003eHans Bacher\u003c\/b\u003e is acknowledged as one of the legends in animation film design. His work with Walt Disney Feature Animation, Richard Williams, and also Steven Spielberg's Amblimation studios saw him creating the production design for such historic films as Who Framed Roger Rabbit, Beauty and the Beast, Aladdin, The Lion King, Balto, Hercules, Mulan, Little Match Girl, and Brother Bear amongst others. He is a member of the Academy of Motion Picture Arts and Sciences and has been honoured with the Golden Camera Award and an Annie for outstanding individual achievement in Production Design. \u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eHis first book, Dreamworlds - Production Design for Animation is considered the best textbook for this subject worldwide. His second book, Vision: Color and Composition for Film, published by Talisman Publishing is already available in 4 languages and is used as a workbook for film-design in most universities and film schools. After teaching at the prestigious Nanyang Technological University in Singapore and delivering numerous lectures in universities all over Asia and Europe, he now lives in Manila, the Philippines and enjoys retirement working on more book projects.\u003ch4\u003eReviews\u003c\/h4\u003e","brand":"Hans P. Bacher","offers":[{"title":"Default Title","offer_id":48926793236697,"sku":"9789819423569","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0502\/9530\/8441\/files\/9789819423569.jpg?v=1783736267"}],"url":"https:\/\/www.arielbooks.com.au\/collections\/film.oembed?page=3","provider":"Ariel","version":"1.0","type":"link"}